Jessica Calderwood
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WHAT LIES BENEATH 2019 - present
STATEMENT - WHAT LIES BENEATH

My sculptures utilize replicated drapery and other stylized forms to block out, cover, and hide parts of the human form. It becomes a negation, a censoring, or denial of what lies beneath. These anthropomorphic beings appear at once, powerful and powerless, beautiful and absurd, inflated, and amputated. It leaves the viewer to question what is revealed and what is concealed, and why. Working in a miniature scale can allow the viewer to access the work with empathy, but also with dominance.

Trained as an enamellist first and foremost, I am interested in using traditional craft media, both for their creative properties, as well as their historical references to ‘marginal art forms.’ These materials are important to my work, both for their visual sensuality and their references to the labor of craft.  


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FLORAL FICTIONS - 2012-present
STATEMENT - FLORAL FICTIONS
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Floral Fictions is a series of works that combine stylized botanical forms with fragments of the human body in order to address the narrative of human life: growth, joy, frustration, relationships, and loss. The choice to use flower and plant forms is multi-layered. Flowers have been used throughout history as symbols of the feminine: ‘she is as delicate as a flower.’ It can be found in mythology, literature, folklore and visual art. Western culture has an intricate system of flower symbolism that has been a way for humans to express and communicate complex emotions. I am interested in using these symbolic references in order to talk about issues of gender and identity.
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I created these work to be intentionally humorous and ironic. These human/plant hybrids are large, voluptuous, headless, and armless. The flower forms become a negation, a censoring or denial of what lies beneath. These anthropomorphic beings are at once, powerful and powerless, beautiful and absurd.

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