WHAT LIES BENEATH 2019 - present
STATEMENT - WHAT LIES BENEATH
My sculptures utilize replicated drapery and other stylized forms to block out, cover, and hide parts of the human form. It becomes a negation, a censoring, or denial of what lies beneath. These anthropomorphic beings appear at once, powerful and powerless, beautiful and absurd, inflated, and amputated. It leaves the viewer to question what is revealed and what is concealed, and why. Working in a miniature scale can allow the viewer to access the work with empathy, but also with dominance.
Trained as an enamellist first and foremost, I am interested in using traditional craft media, both for their creative properties, as well as their historical references to ‘marginal art forms.’ These materials are important to my work, both for their visual sensuality and their references to the labor of craft.
My sculptures utilize replicated drapery and other stylized forms to block out, cover, and hide parts of the human form. It becomes a negation, a censoring, or denial of what lies beneath. These anthropomorphic beings appear at once, powerful and powerless, beautiful and absurd, inflated, and amputated. It leaves the viewer to question what is revealed and what is concealed, and why. Working in a miniature scale can allow the viewer to access the work with empathy, but also with dominance.
Trained as an enamellist first and foremost, I am interested in using traditional craft media, both for their creative properties, as well as their historical references to ‘marginal art forms.’ These materials are important to my work, both for their visual sensuality and their references to the labor of craft.
FLORAL FICTIONS - 2012-present