My most recent series combines flower/botanical forms with fragments of the human body in order to address the narrative of human life cycles: growth, metamorphosis, aging, death. The choice to use flower and plant forms is multi-layered. Flowers have been used throughout history as symbols of the feminine: ‘she is as delicate as a flower.’ It can be found in mythology, literature, folklore and visual art. Western culture has an intricate system of flower symbolism that has been a way for humans to express and communicate complex emotions. I am interested in using these symbolic references in order to talk about issues of gender and identity. I created these work to be intentionally humorous and ironic. These human/plant hybrids are large, voluptuous, headless, and armless. The flower forms become a negation, a censoring or denial of what lies beneath. These anthropomorphic beings are at once, powerful and powerless, beautiful and absurd, inflated, and amputated.