SCULPTURE My most recent series uses devices, such as drapery and stylized botanicals, to block out, cover, and hide parts of the human form. These hybrid forms become a negation, a censoring or denial of what lies beneath. These anthropomorphic beings are at once, powerful and powerless, beautiful and absurd, inflated, and amputated. I am interested in using traditional craft media, both for their creative properties, as well as their historical references to ‘marginal craft forms', including enamel, porcelain, felted wool, and polymer clay. Throughout this exploration, I have been working in a miniature scale, as well as large-scale figurative.